Ostersequenz.

Victimae Paschali Laudes

from:flyingblackboard

Victimae Paschali is usually attributed to Wipo of Burgundy (1039), chaplain of the German Emperor Conrad II in the 11th century. It has also been attributed to Notker Balbulus (10th century) and Adam of St. Victor (13th century). Its text was also set to different music by many Renaissance and Baroque composers, including Busnois, Josquin, Lassus, Willaert, Hans Buchner, Palestrina, Byrd, Perosi, and Fernando de las Infantas. Lutheran chorales derived from Victimae Paschali Laudes include Christ ist erstanden and Christ lag in Todesbanden.

During the Middle Ages there were many Sequences in use, but the Council of Trent abolished all but a few. In the Missal of Pius V (1570) the number of sequences for the entire Roman Rite was reduced to four: Victimae paschali laudes (11th century) for Easter, Veni Sancte Spiritus for Pentecost (12th century), Lauda Sion Salvatorem (c.1264) for Corpus Christi, and Dies Irae (13th century) for All Souls and in Masses for the Dead. In 1727, the 13th century Stabat Mater for Our Lady of Sorrows was added to this list. In 1970 the Dies Irae was removed from the Requiem Mass of the revised, new Roman Missal and was transferred to the Liturgy of the Hours to be sung ad libitum in the week before the beginning of Advent. The Christmas sequence "Laetabundus," not present in the Roman Missal, is found in the Dominican Missal. This sequence is permitted for the Third Mass of Christmas, the Epiphany, and Candlemas.

Sung by Chanticleer.