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2It’s a girl: The three deadliest words in the world. It’s a girl: The three deadliest words in the world An estimated 200 million girls are missing. How can the world community stand by and allow …More
It’s a girl: The three deadliest words in the world.
It’s a girl: The three deadliest words in the world
An estimated 200 million girls are missing. How can the world community stand by and allow gendercide to continue? asks the maker of a documentary film on this scandal.
www.youtube.com/watch
The United Nations estimates that as many as 200 million girls are missing today, the majority from India and China. What are the cultural patterns and individual stories behind this shocking statistic? Evan Grae Davis, an American who has extensive experience in the developing world, has produced a documentary film that answers this question through the mouths of women immersed in these cultures and activists who are campaigning for them. In this email interview with MercatorNet he explained how he came to make the film and what needs to happen next.
*****
MercatorNet: This is a very harrowing film. How did you come to make it?
Evan Grae Davis: I have spent the last nearly two decades travelling the world capturing stories of human need for humanitarian aid and development NGO's and non-profits. Throughout this time I witnessed a lot of injustice. I began asking the question, what are the cultural roots and mindsets that allow for human rights violations on the scale seen throughout the world today? I set out to explore this question through a documentary film. I and the team travelled to nine nations capturing stories for this film. One of the nations we visited was India, hoping to understand how the subjugation and devaluation of women could be justified by the deeply established son-preference culture.
What we discovered while filming in India about the epidemic of missing girls and dramatically skewed sex ratios and related abuse and neglect of girls was a game-changer for us. After hearing the UN statistic of as many as 200 million girls missing in the world today as a result of 'gendercide' we researched the issue in China, as well, and were completely astonished by how few people seemed to be aware of what appeared to be the greatest human rights issue of our time, and certainly the greatest form of violence against women in the world today. There seemed to be very little out there on the topic. It was then that we determined to dedicate the film project to exposing this untold story and educating and mobilizing a movement to end gendercide in India and China.
What practices contributing to gendercide did you look into?
In the film, we explore the fundamental son-preference mindset that underlies gendercide. In cultures like India and China, the preference for sons is driven by centuries-old traditions that say that boys are more valuable than girls. Only sons carry on the family name and inherit wealth or perform the last rites for parents upon their death. Daughters join their husband's family once married and are no longer considered a part of their family of origin.
In India, the preference for sons is further influenced by the dowry system, where families often must pay large sums of money or give gold, land and other family assets to the husband’s family when their daughters marry. The cost of securing husbands for daughters becomes prohibitive, so families avoid having more than one or, at most, two daughters.
In China, the One Child Policy has contributed to the elimination of millions of girls over the past few decades. Sons care for their parents in old age, and daughters leave their family to join their husband's family, as in India. So if a family is only allowed one child, they are determined to identify the sex of each pregnancy and systematically terminate female fetuses until they bear a son.
Perhaps the most shocking testimony in your film comes from an Indian woman who killed eight daughters – and seems matter-of-fact about it. You interviewed this woman personally – did you understand, in the end, how she could do that? What light does her case throw on the whole problem in India?
Finding myself standing at the edge of a field in Southern India, listening to a mother share how she had personally strangled eight of her own newborn daughters in her quest for a son, was by far the most shocking and difficult interview. She shared so matter-of-factly, often smiling or laughing, as she talked about how she couldn't afford to raise daughters and made statements like, "Women have the power to give life and the power to take it away."
Later in the interview, she shared a song about her plight as a woman and the pain of being given in an arranged marriage at a young age. She told us how when she was 15, she was excelling in school and had high hopes for her future, when it was decided that she was to be given as a second wife to her sister's husband because her sister was unable to have children. Her purpose in life was to bear her husband a son.
This was when gendercide took on a whole new meaning for me, because I realized she was simply a product of the culture in which she lives. She was programmed …
It’s a girl: The three deadliest words in the world
An estimated 200 million girls are missing. How can the world community stand by and allow gendercide to continue? asks the maker of a documentary film on this scandal.
www.youtube.com/watch
The United Nations estimates that as many as 200 million girls are missing today, the majority from India and China. What are the cultural patterns and individual stories behind this shocking statistic? Evan Grae Davis, an American who has extensive experience in the developing world, has produced a documentary film that answers this question through the mouths of women immersed in these cultures and activists who are campaigning for them. In this email interview with MercatorNet he explained how he came to make the film and what needs to happen next.
*****
MercatorNet: This is a very harrowing film. How did you come to make it?
Evan Grae Davis: I have spent the last nearly two decades travelling the world capturing stories of human need for humanitarian aid and development NGO's and non-profits. Throughout this time I witnessed a lot of injustice. I began asking the question, what are the cultural roots and mindsets that allow for human rights violations on the scale seen throughout the world today? I set out to explore this question through a documentary film. I and the team travelled to nine nations capturing stories for this film. One of the nations we visited was India, hoping to understand how the subjugation and devaluation of women could be justified by the deeply established son-preference culture.
What we discovered while filming in India about the epidemic of missing girls and dramatically skewed sex ratios and related abuse and neglect of girls was a game-changer for us. After hearing the UN statistic of as many as 200 million girls missing in the world today as a result of 'gendercide' we researched the issue in China, as well, and were completely astonished by how few people seemed to be aware of what appeared to be the greatest human rights issue of our time, and certainly the greatest form of violence against women in the world today. There seemed to be very little out there on the topic. It was then that we determined to dedicate the film project to exposing this untold story and educating and mobilizing a movement to end gendercide in India and China.
What practices contributing to gendercide did you look into?
In the film, we explore the fundamental son-preference mindset that underlies gendercide. In cultures like India and China, the preference for sons is driven by centuries-old traditions that say that boys are more valuable than girls. Only sons carry on the family name and inherit wealth or perform the last rites for parents upon their death. Daughters join their husband's family once married and are no longer considered a part of their family of origin.
In India, the preference for sons is further influenced by the dowry system, where families often must pay large sums of money or give gold, land and other family assets to the husband’s family when their daughters marry. The cost of securing husbands for daughters becomes prohibitive, so families avoid having more than one or, at most, two daughters.
In China, the One Child Policy has contributed to the elimination of millions of girls over the past few decades. Sons care for their parents in old age, and daughters leave their family to join their husband's family, as in India. So if a family is only allowed one child, they are determined to identify the sex of each pregnancy and systematically terminate female fetuses until they bear a son.
Perhaps the most shocking testimony in your film comes from an Indian woman who killed eight daughters – and seems matter-of-fact about it. You interviewed this woman personally – did you understand, in the end, how she could do that? What light does her case throw on the whole problem in India?
Finding myself standing at the edge of a field in Southern India, listening to a mother share how she had personally strangled eight of her own newborn daughters in her quest for a son, was by far the most shocking and difficult interview. She shared so matter-of-factly, often smiling or laughing, as she talked about how she couldn't afford to raise daughters and made statements like, "Women have the power to give life and the power to take it away."
Later in the interview, she shared a song about her plight as a woman and the pain of being given in an arranged marriage at a young age. She told us how when she was 15, she was excelling in school and had high hopes for her future, when it was decided that she was to be given as a second wife to her sister's husband because her sister was unable to have children. Her purpose in life was to bear her husband a son.
This was when gendercide took on a whole new meaning for me, because I realized she was simply a product of the culture in which she lives. She was programmed …